Aretha Franklin was a soul-singing global icon with staggering commercial success–including 44 Grammy award nominations and 18 wins, 19 albums in the 1960s, and 11 releases between 1967 and 1969 alone.
She was also an artist whose life and music was intertwined with civil rights and the struggle for black equality.
A gospel singer who was raised in the church, she was the daughter of C.L. Franklin, pastor of the New Bethel Baptist Church in Detroit and a minister who marched with Dr. Martin Luther King. C.L. Franklin had organized the June 1963 Walk To Freedom, which was the largest civil rights demonstration in the nation’s history until the March on Washington a few months later.
Her mentor was Mahalia Jackson, the gospel singer whose voice had become known as “the soundtrack of the Civil Rights Movement” and was a good friend of Dr. King who inspired his “I Have A Dream” speech.
That same year, Franklin also sang the national anthem at the Democratic National Convention in Chicago, during a tumultuous political season and a year marked by civil unrest, protests, police violence and assassinations. Much like her mentor, Franklin provided the soundtrack of an era.
“There’s no way to overstate what Aretha meant to the generation that came of age during the Civil Rights Movement,” Craig Werner, professor of Afro-American Studies at the University of Wisconsin-Madison told NBC News. “She helped us make sense of experiences, insisting with enormous grace and fire that women’s voices had to be a part of every conversation.
She holds a special place in the hearts of Vietnam veterans who knew she sung ‘I Say a Little Prayer’ to help them survive and heal.”
Black artists have traditionally been agents of change through their music, reflecting and shaping the issues of their time.
Examples include the voice of suffering in Billie Holliday’s “Strange Fruit,” the audacious rage of Nina Simone’s “Mississippi Goddam,” and the funky soul of James Brown’s “Say It Loud — I’m Black and I’m Proud.” Similarly, Aretha Franklin was a voice of pride, hope and freedom.
Her rendition of the Otis Redding song “Respect” became an undeniable anthem of empowerment for African-Americans and women.
Experts who have chronicled Franklin’s life and legacy say this chart-topping hit was just the beginning of Franklin’s impact.
“As the Civil Rights Movement led to the Black Power era of the 1960s and 1970s, and black pride emerged as a response to racism and a white-dominated society, and an affirmation of African heritage and culture, Aretha was there,” Daphne Brooks told NBC News.
“It is, of course, known that [Franklin] sang at King’s funeral,” Brooks.
Less known is the fact that she put up bail for Angela Davis, political prisoner and Black Power feminist icon.
She covered Nina Simone’s beloved anthem ‘To Be Young, Gifted, and Black,’ and her early 1970s sartorial symbolism evoked black diasporic elegance and grandeur.
In terms of her musical genius, her vocality sounded out rich emotional nuance, intelligence and depth. It conveyed the complexities of black women’s inner lifeworlds in ways unheard of before on the pop chart.”
Five decades after the civil rights struggles, Franklin’s music and message resonate today among a new generation of fans and activists, as the many heartfelt tributes to the Queen of Soul demonstrate.
“Her force was both cultural and political,” said John Sims, a Detroit native and multimedia artist and producer.
“Her love and advocacy for black people was undeniable and her feminism unshakable. Before there were Black Lives Matters and #Metoo, the Queen was challenging us to ‘think’ and ‘respect’ ourselves, and to become better partners, better citizens and better humans.”
Following the release of her Young, Gifted and Black album, Franklin reflected on the Black Power movement and what was taking place in the African-American community and the impact of the times on her own thinking.
Via: NBC News